London Grammar are very, very far away from the ‘I’m going to write a hit song’ mentality. He’s such a musical guy, using so many instruments and creating cool sounds. “I get influenced by so many different artists, not just producers, like Charlie Puth for example. Who is the most inspiring producer in the world right now? “It would definitely be Eric Prydz, Pjanoo. Which one track in history do you wish you had helped produce? It’s your way, which is the only way which matters.” And Splice which will help you with plugins.
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A lot of times, I go for food and come back and listen to what I was doing before and say, ‘This is terrible, I need to start something new.’ There are a few good websites, like which will tell you how to use chords easily and apply them to your way of working. You go and sit in a room and sometimes it’s great and sometimes it’s not at all. How important is music theory for producers? If you try to grab it, it will just slip through your fingers.” If you spread a session over two weeks, I think it’s too long. The greatest ideas will come in a few minutes. If it comes, it comes, that’s great, but if it doesn’t, there’s no way of pushing it. If it doesn’t come back then try again tomorrow. “For me the only solution is to walk out of the room, play FIFA and come back. What’s the best way to beat writer’s block, in your experience? They have very good organic, dynamic instruments and that can inspire you.” A great way of doing it is opening Native Instruments. Then I use Serum and it has a few presets, and if it sounds good in that – it has a good melody or good riffs – then I’ll look for the right instruments. Then I pick a grand piano off Logic, the most easy one ever, play the melody with that. I have a few kick drums that, depending on the key of the song, I know will sound good immediately as a reference. “First thing is to use certain presets that I know sound good straightaway.
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